Ann-Marie MacDonald chosen as one of the finalists for the 2016 Neustadt International Prize for Literature

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The 2016 Neustadt Prize Finalists (source: The Neustadt Prize)

Ann-Marie has been chosen as one of nine finalists for the 2016 Neustadt International Prize for Literature. The Prize is the most prestigious international literary award given in the United States and is celebrated for its exclusive focus on literary merit.

The Neustadt International Prize for Literature is a $50,000 biennial prize funded by a generous endowment from the Neustadt family of Ardmore, Oklahoma, and Dallas. The Neustadt Prize is the first international literary award of its scope to originate in the United States and is one of the very few international prizes for which poets, novelists and playwrights are equally eligible. The charter of the award stipulates that the Neustadt Prize be conferred solely on the basis of literary merit, and each laureate is chosen by a jury of writers that World Literature Today convenes on the University of Oklahoma campus.

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Review: The New York Times / Sunday Book Review

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‘Adult Onset,’ by Ann-Marie MacDonald

Do our more modest northern neighbors talk about the Great Canadian Novel? After all, they have big geography there too — the mountains, the prairies. “Always in view was the vastness of what in most countries would be called a sea but in Canada was known simply as ‘one of the Great Lakes,’ ” the Canadian writer Ann-Marie MacDonald writes in her big, troubling and brave new novel. Books like hers have a continental sweep: The writer amply stocks them with people and ideas, with all she knows. Spare, quiet perfection isn’t the aim. Read more…

WhyIlovethisbook.com

“Answering the question why I love this book is, when it’s with reference to a book I’ve written, is extremely hard.”
Ann-Marie MacDonald, 56, writer, Toronto

View original post on whyilovethisbook.co.uk

Publishers Weekly

“MacDonald’s strong narrative is a compelling examination of the loneliness and the often-absurd helplessness of being a parent of young children.” Read more

Kickass Canadians

Ann-Marie (right) reading from ‘Adult Onset’ at the Ottawa International Writers Festival, with CBC’s Sandra Abma, November 2014

Ann-Marie MacDonald, writer-actor-creator-feminist

“As an artist you have to have authentic self and an authentic core, which is a channel for stories and for meaning.” – Ann-Marie MacDonald

I was bewitched by Fall On Your Knees when it first came out, and have followed Ann-Marie’s career ever since. If you’ve read her work, you know what a lyrical and poetic author she is. Even more than that, she seems to possess otherworldliness; from her three novels, there’s a strong sense of haunting, of past and present irrevocably intertwined, and of a great connection to the wisdom of the spirits.

Such a rich tapestry begs to be examined, down to its barest threads. Read more…

Review: The Guardian (UK)

Adult Onset by Ann-Marie MacDonald review – an acidly funny portrait of parenthood

A writer’s stint in the psychic sweat lodge of toddler-rearing prompts a search for the secrets of her troubled childhood

It’s April on an ordinary Monday in a trendy Toronto neighbourhood and the trees are “tight with buds”. A woman, married to another woman (partner sounds “sexless” and lesbian sounds “lizardy”), walks her child and ageing dog. Mary Rose MacKinnon’s life is a densely woven fabric of domestic detail: “expiring” birthday balloons, grilled cheese, ingested toothpaste, hamsters, glass unicorns. But insistent as the faint pings of sonar, distant memories begin to intrude. Mary Rose increasingly sees double: while parenting her lively two-year-old, Maggie, she remembers herself at the same age, erratically parented by her own depressed mother. The result – in the capable hands of Ann-Marie MacDonald, Orange Prize nominee for her 1996 novel Fall on Your Knees – is a powerful psychological gyre. – Read more

Atlantic Books Today

Ann-Marie MacDonald’s latest novel revisits painful terrain to find forgiveness

“The way I’ve been thinking of [this book] is like when you haven’t gone grocery shopping, but need to make supper. There’s always pasta. My youngest was five when I started writing this book. I thought okay, I’m going to start writing fiction again, but I’m writing pasta. It’s going to be here-and-now, no sets and costumes.” – Ann-Marie MacDonald

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