Song “Cloud 9” from the Mirvish Production of Caryl Churchill’s play Cloud 9. Original music by Paul Sportelli, lead vocal by Ben Carlson. Also featuring Evan Buliung, Megan Follows, David Jansen, Ann-Marie MacDonald, Yanna McIntosh, Blair Williams. Directed by Alisa Palmer.
Op-ed by Ann-Marie MacDonald in the Globe and Mail
View the article as a PDF document:
Read on the Globe and Mail website
MacDonald says Soulpepper rejected her concerns over actress auction
Acclaimed writer Ann-Marie MacDonald says leaders at the Soulpepper Theatre Company “bullied and harassed” her after she raised concerns about a fundraiser that auctioned dinners with a cast of actresses. Read more…
The Refugium: Canadian authors pay homage to some of the largest trees in the world
Ten Canadian Authors play “Exquisite Corpse” for Canopy and for the ancient forests of Vancouver Island
Will the world get fired up about CanLit?
There was a period of time, not too long ago, when Canadian literature was arguably the toast of the publishing industry, speaking to both Canada and the world. Awards are not necessarily the most accurate measure, but in the decade between 1992 and 2002, for instance, Canadian authors won the Man Booker Prize three times and were shortlisted an additional six times; won the Orange Prize for Fiction (now the Baileys Women’s Prize for Fiction) twice and were shortlisted three more times; and won the International Dublin Literary Award once and were shortlisted five more times, just to name three of the most prestigious international English-language writing prizes open to Canadian authors. Read more
The Claim – a short story for Canada’s 150
A country is not just its people and places, but its stories. On the occasion of Canada’s sesquicentennial, The Globe and Mail has invited a group of writers – from home and abroad – to celebrate the country’s history in fiction.
Read Ann-Marie’s contribution on the Globe and Mail website
Concordia University’s Mordecai Richler Writer in Residence -> Dispatch 8: The Apprenticeship of…
“The specific becomes universal, which becomes the personal, which gathers critical mass to become public.” – Ann-Marie reads from her introduction to Richler’s “The Apprenticeship of Duddy Kravitz” in this final dispatch from her residency at Concordia University.